Shin Seki Evangerion (Japanese translation) or Neon Genesis Evangelion (English translation) is a Japanese animated television series which debuted from October 1995 to March 1996. The series was produced by Gainax and Tatsunoko Productions and was broadcasted on TV Tokyo. The series was directed by Hideaki Anno. Set in a post-apocalyptic world, this series mainly follows three teenagers as they combat monstrous beings known as Angels using bio-machine mechas called Evangelions or EVAs for short. The inspiration for this series came from Anno’s four years of depression. In the proposal phase, the project discussed Evangelion as a film, television series, or OVA; to which the producer decided on a whole television series. It was eventually covered by those three mediums after it became a hit with the public. Anno carried certain scenarios and the use of introspection as a narrative device from some of his previous works including; Gunbuster and Nadia. He wished to increase the number of otaku (anime fans) through this anime. Anno based the personalities of some of the characters to reflect parts of his own including; traumatic past events, personal problems, and relationship struggles. The anime was classified under the genres of; action, sci-fi, mecha, psychological, drama, with common themes stemming from tragedy, military, and post-apocalyptic society. For this blog post, I decided to analyze Neon Genesis Evangelion, episode 23, Rei III, Namida (tears), originally released March 6, 1996.
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Photographed at Universal Studios Osaka by Amanda Palladino |
The episode starts out with a gloomy atmosphere. Misato is found draped over her desk in her cluttered room with the lights turned off listening to a final message left to her from Kaji.
The next scene follows Asuka who is also in a depressed state but instead she is handling it by playing video games, skipping school, and running away from home. Her recent loss to the Angel Arael sent her into a state of depression, making her question the reason for her existence. Ritsuko receives a phone call from her grandmother informing her that her cat has died. Elsewhere, Gendo is getting grief from Seele for having used the Spear of Longinus to destroy an Angel. The meeting is interrupted due to an incoming Angel alert. NERV then decided to send out EVA-00 piloted by Rei to intercept the Angel. While Rei is in position, they decide to also deploy EVA-02 with Asuka as backup. The Angel bio-fusing with Rei |
The Angel Armisael appears and attacks Rei, it erodes her EVA’s AT field and begins to bio fuse with the EVA. This immediately caused the call for an immediate deployment of EVA-02 but Asuka is unable to come to her comrade’s aid due to the fact her disturbed psyche has reduced her synch levels so low, to which she cannot pilot her EVA. After bio fusing with EVA-00, the Angel invades Rei consciences. There they discuss loneliness and the meaning of it. Gendo lifts the suspension on EVA-01 leaving Shinji to rush to Rei’s aid. The Angel then locks on to Shinji and attacks him, also breaking his EVA’s AT field and bio fusing with him. Rei realizes unconsciously that she wants to be with Shinji. She then stops the bio fusion happening with EVA-01 by containing the Angel within her EVA. Gendo and Misato order Rei to abandon her EVA, but she refuses; she ends up sacrificing her life by self-destructing with the Angel in order to save Shinji.
EVA-00 exploding with Rei inside |
The following scene cuts to the third Rei in her apartment finding a pair of glasses that belonged to Gendo, with no recollection of the battle, she questions why tears seem to be falling from her eyes. Seele is upset with Gendo for the additional loss of EVA-00, to which he offers them Ritsuko as collateral. Ritsuko stands before them naked as Seele explains to her that she was offered up in the replacement of Rei. She then calls Shinji to meet her at NERV HQ, to which Misato also finds herself heading in accordance to Kaji’s microchip he gave her. There she holds Ritsuko at gun point demanding her to reveal the secrets she has been hiding. Ritsuko agrees on the condition that Shinji joins them, as he appears from hiding in the shadows. They begin to descend the underground floors of the facility and first stop at a room which reminds Shinji of Rei’s room; having Ritsuko explain that this is where Rei was born and raised. She then shows them the EVA graveyard, where the failed Evangelion experiments are disposed of, on their way to discover the dark secret of the dummy system.
Shinji listening to music |
Some themes that have carried over from the beginning to end of the series include; psychological trauma, self-worth, anxiety, and fostering connections. While characters do develop as a series goes on, parts of the individual do remain the same. While Shinji gradually becomes more comfortable piloting the EVA, his reliance on music as a way to cope does not change. Watching the first two episodes with the addition to a later one, one can see differences and similarities between them. Although by skipping episodes we miss additional information to help explain the development of the characters, so it would be interesting to now watch the entire series to see how they got there and by what means made them change.
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